Gabriele Evertz

Full Texts

Slippery Geometry and Beguiling Color
by John Yau
James Panero on Polychromy, August 7, 2017
by James Panero
Gabriele Evertz, Saturation Point, March 2017
by Gabriele Evertz
Thomas Micchelli, Hyperallergic, March 28, 2015
by Thomas Micchelli
Andy Parkinson, March 11, 2015
by Andy Parkinson
Artists Find Common Ground in Language of Abstraction
by Hannah Yudkin
Territory of Abstraction, Pentimenti, Philadelphia, PA
by Joanne Mattera
http://www.on-verge.org/features/to-leo-a-tribute-sideshow-galley/
by Paul Corio, September 17
Houston Capsule Art Reviews, Layers, - Houston Press
by Meredith Deliso
Brooklyn Rail Review
by Robert C. Morgan, Gabriele Evertz: Rapture at MINUS SPACE , December 2011 – January 2012
The Wall Street Journal
Gabriele Evertz: Rapture at MINUS SPACE by Peter Plagens,The Wall Street Journal, November 26-27, 2011
Visual Sensations
[PDF]

By Gabriele Evertz, Visual Sensations, The Paintings of Robert Swain, 1967-2010, October 7 - November 13, 2010

Gabriele Evertz • "From the Flatfiles"

MINUS SPACE project space, March 2010

Gallery Chronicle: On Op Art

By James Panero, The New Criterion, June 2009

Hard edged in Brooklyn, Review

By James Panero, The New Criterion, 24 April 2009

In Freudenheim show, five alternate views of abstraction, Review

By Colin Dabkowski, The Buffalo News, 10 April 2009

Color Exchange, Berlin - New York, Review

Germany in NYC.org, March 2009

Berlin - New York, Exhibition Statement

By Mattias Bleyl, Color Exchange: Berlin - New York, March 27 - April 26, 2009

Weltanschauung and Abstract Painting, Review

By Robert C. Morgan, The Brooklyn Rail, June 2008

Op: Then and Now, Exhibition Statement

By Joe Houston, Op Art: Then and Now, Columbus Museum of Art, July 6 - September 30, 2007

Composing with Color, Review

By E.J. Sozanski, The Philadelphia Inquirer, 25 September 1998

Color Codes, Review

By Gerard Brown, Philadelphia Weekly, 16 September 1998

Press

Houston Capsule Art Reviews, Layers, - Houston Press
Gallery Chronicle review, James Panero, The New Criterion,February 2012, pp 51-53 
Gabriele Evertz: Rapture at Minus Space, by James Kalm Rough Cuts, December 12, 2011
Gabriele Evertz: Rapture at Minus Space, by Robert C. Morgan, The Brooklyn Rail, December 2011-January 2012, p. 48 
Gabriele Evertz: Rapture, Painter’s Table, December 10, 2011 
Gabriele Evertz: Rapture at Minus Space, by Peter Plagens, The Wall Street Journal, Nov 26-27, 2011, p.A22 
Gabriele Evertz@ Minus Space, by Mark Dagley, Abaton Book Company, Nov 20, 2011 

Bibliography

2014

upcoming: A Global Exchange: Geometric Abstraction Since 1950, Frost Art Museum, Miami, FL

Ewing Gallery, University of Tennessee, Knoxville

Doppler Shift, Visual Arts Center, Summit, NJ

Sensory Impact, Morgan Stanley &Co., Purchase, NY

To Leo: A Tribute from American Abstract Artists, Sideshow Gallery, Brooklyn, NY

INTERVENTION

Hard-Edge

Color

AAA

2012

Minus Space, The Suburban gallery, Chicago, IL

MIC:CHECK (occupy), Sideshow gallery, Brooklyn, NY

2011

Rapture, Minus Space gallery, Brooklyn, NY

Pointing the Telescope at the Sun, Minus Space, Brooklyn, NY

AAA 75th Anniversary, OK Harris Gallery, NY, NY

2010
"Visual Sensations," Visual Sensations, The Paintings of Robert Swain: 1967-2010, Hunter College/Times Square Gallery, Exhibition Catalog
"From the Flatfiles," MinusSpace, Project Space, March 2010

2006
"Observations for a Young Painter," Presentational Painting III, Hunter College/Times Square Gallery, Exhibition Catalog

2004
"Light Sensations in Painting and Nature," Seeing Red: An International Exhibition of Nonobjective Painting, Hunter College/Times Square Gallery, Exhibition Catalog


Publications

2011
Robert C. Morgan, The Brooklyn Rail , December 2011 – January 2012
Peter Plagens, The Wall Street Journal, November 26-27, 2011
Stephen Maine, Art in America, February 2011.

2010
James Panero. The New Criterion, November 2010.
"Gabriele Evertz • From the Flatfiles," MINUS SPACE project space, March 2010.

2009
"Gallery Chronicle: On Op Art, Gabriele Evertz at Metaphor Gallery," James Panero. The New Criterion, June 2009.
"Hard edged in Brooklyn," James Panero. The New Criterion, April 24, 2009.
"In Freudenheim show, five alternate views of abstraction," Colin Dabkowski. The Buffalo News, April 10, 2009.
"Color Exchange, Berlin - New York," GermanyinNYC.org, March 27 - April 26, 2009.
"Berlin - New York," Mattias Bleyl. Color Exchange: Berlin - New York, March 27 - April 26, 2009.

2008
"Weltanschauung and Abstract Painting," Robert C. Morgan. The Brooklyn Rail, June 2008.
"Where color reigns, Greenport artist is putting the hue in humanity," Joyce Beckenstein, The Suffolk Times, January 24, Vol. CLII No.4

2007
Op Art: Then and Now, Columbus Museum of Art, Joe Houston, Exhibition Statement
"Curator's Voice: Reviving the Edge in Optical Painting," Bog-gi Kim, Art in Asia, First Edition, September-October

2006
Artnet Magazine, Stephen Maine
The New York Times, Grace Glueck

2003
The East Hampton Star, Robert Long
Artnews, Amei Wallach, November

2001
The New York Times, Helen Harrison, August 19
The East Hampton Star, Eric Ernst

2000
The New York Times, Helen Harrison, October 8