GABRIELE EVERTZ
Gabriele Evertz
Select Installations: Notebook No. 1, 1990-2022
Pictured in Harmony and Contrast: Chromatic Painting at the Turn of the Century,
2022, Transmitter Gallery, Brooklyn, NY
Exhibited in PATH, 2022, Minus Space, Brooklyn, NY
(left to right) Onward, 2020, 72 x 72 inches, Acrylic on canvas
Nocturnus, 2021, 72 x 72 inches, Acrylic on canvas
Temple, 2021, 72 x 72 inches, Acrylic on canvas
Path, 2022, 72 x 72 inches, Acrylic on canvas
Pictured in PATH, 2022, Minus Space, Brooklyn, NY
(left to right) Intervention / Summer, 2022, 72 x 72 inches, Acrylic on canvas
Intervention, 2022, 72 x 72 inches, Acrylic on canvas
Pictured in PATH, 2022, Minus Space, Brooklyn, NY
(left to right) Siri Berg; Gabriele Evertz, Motion Parallax, Flicker, 1998, 72 × 72 inches
(shaped), Acrylic on canvas
Pictured in Harmony and Contrast: Chromatic Painting at the Turn of the Century, 2022,
Transmitter Gallery, Brooklyn, NY
(left to right) ZimZum, 2019, 72 x 72 inches, Acrylic on canvas
Exaltation RYB, 2019, 72 x 72 inches , Acrylic on canvas
Another Sun, 2018, 72 x 72 inches , Acrylic on canvas
End / Begin, 2018, 72 x 72 inches , Acrylic on canvas
Exaltation, GOV, 2019, 72 x 72 inches , Acrylic on canvas
Friendship of Colors , 2018, 72 x 72 inches, Acrylic on canvas
Pictured in Exaltation, 2020, Minus Space, Brooklyn, NY
(left to right) ZimZum, 2019, 72 x 72 inches, Acrylic on canvas
Exaltation RYB, 2019, 72 x 72 inches , Acrylic on canvas
Another Sun, 2018, 72 x 72 inches , Acrylic on canvas
Pictured in Exaltation, 2020, Minus Space, Brooklyn, NY
Exhibited in Exaltation, 2020, Minus Space, Brooklyn, NY
Exhibited in Exaltation, 2020, Minus Space, Brooklyn, NY
Exhibited in Exaltation, 2020, Minus Space, Brooklyn, NY
Eight Flags, 2018, site-specific installation, Radevormwald, Germany
Gabriele Evertz
Select Installations: Notebook No. 1, 1990-2022
Exhibited in Blurring Boundaries: Women of American Abstract Artists,
1936 – Present, 2018, Traveling exhibition
(right) (A-)chromatics (Day+Dream) , 2016, 42 x 168 inches, Acrylic on canvas
Pictured in Color Relativity, 2017, 499 Park Avenue Gallery, New York, NY
(left to right) Blue+Green (Tikkun Olam) , 2015, 60 x 60 inches, Acrylic on canvas
I Dream of Spring, 2017, 60 x 60 inches, Acrylic on canvas
Red + Black (Three Kings), 2015, 60 x 60 inches, Acrylic on canvas
Pictured in The Gray Question, 2015, Minus Space, Brooklyn, NY
(left to right) Red + Black (Three Kings), 2015, 60 x 60 inches, Acrylic on canvas
RYBG (Agent), 2015, 60 x 60 inches, Acrylic on canvas
Pictured in The Gray Question, 2015, Minus Space, Brooklyn, NY
(left to right) Anoka Faruqee; Gabriele Evertz, Grays and Metallics (Aedicula),
2014, 60 x 60 inches, Acrylic on canvas
Pictured in Breaking Pattern, 2015, Minus Space, Brooklyn, NY
(left to right) E—Implied Spaces RYB, 2011, 18 x 18 inches, Acrylic on canvas
Motion Parallax (Leaf), 1998-2001, 48 x 48 inches (shaped), Acrylic on canvas
Pictured in The Geometry of Color , 2012, Art Sites Gallery, Riverhead, NY
(left to right) Six Grays + RYB (Dutch Interior), 2006, 36 x 96 inches, Acrylic on canvas
Shield, 2010, 48 x 48 inches, Acrylic on canvas
Six Grays + GOV (Dutch Interior), 2006, 36 x 96 inches, Acrylic on canvas
Pictured in The Geometry of Color , 2012, Art Sites Gallery, Riverhead, NY
(left to right) Motion Parallax (Leaf), 1998-2001, 48 x 48 inches (shaped), Acrylic on canvas
Twelve Hues + Three Grays (Optic Drive), 2012, 60 x 60 inches, Acrylic on canvas
Shield, 2010, 48 x 48 inches, Acrylic on canvas
Pictured in The Geometry of Color, 2012, Art Sites Gallery, Riverhead, NY
(right) Spectrum + RBG , 2009, 6 x 18 feet, Acrylic on canvas
Pictured in A Global Exchange: Geometric Abstraction Since 1950, 2014-2015,
The Patricia & Phillip Frost Art Museum, Florida International University, Miami, FL
Also exhibited in Geometric Obsession. American School, 2015,
Museum of Contemporary Art, Buenos Aires
Acquired by Museo de Art Contemporáneo de Buenos Aires, Argentina
Color Refined, 2014, Ewing Gallery, University of Tennessee, Knoxville, TN
Six Grays, 2006, 12 x 12 inches, Acrylic on canvas
Exhibited in Hauptsache Grau, 2014, Mies van der Rohe Haus, Berlin, Germany
(left to right) The Black Room Series (For Sonia D), 2013, 60 x 60 inches, Acrylic on canvas
The Black Room Series (Electric Fragment), 2013, 60 x 60 inches, Acrylic on canvas
Pictured in Color Refined, 2014, Ewing Gallery, University of Tennessee, Knoxville, TN
Gabriele Evertz
Select Installations: Notebook No. 1, 1990-2022
(left to right) Eight paintings, 12 x 12 inches, Acrylic on canvas
Reds + Iceblues, 2008, 144 x 108 inches, Acrylic on canvas
Pictured in Spectrum, 2008, Metaphor Contemporary, Brooklyn, NY
Reds and Iceblues, 2008, 12 x 9 feet, Acrylic on canvas
Exhibited in Spectrum, 2008, Metaphor Contemporary, Brooklyn, NY
(left to right): Richard Anuszkiewicz; Frank Stella; Gabriele Evertz, Motion Parallax I,
1998, 72 x 72 inches (shaped), Acrylic on canvas
Pictured in Op Art: Then and Now, 2007, Columbus Museum of Art, OH
(far right) Motion Parallax I, 1998, 72 x 72 inches (shaped), Acrylic on canvas
Pictured in The Optical Edge, 2007, Pratt Manhattan Gallery, New York, NY
(left to right) Fear and Trembling: Red, Yellow, Blue , 2005, 8 x 17 feet, Acrylic on canvas; Michael Brennan
Pictured in The Faculty Exhibition, 2005, Hunter College/Times Square Gallery, New York, NY
Six Grays + RYB, 2006, 72 x 96 inches, Acrylic on canvas
Pictured in Rapture, 2011, Minus Space, Brooklyn, NY
Color Column, 2001,12 x 1 x 1 feet, Acrylic on plywood
Pictured in Footfalls, 2001, Greenport, NY
Double, 1999-2000, 7 x 16ft , Acrylic on canvas
Pictured in Optic Drive, 2012, David Richard Gallery, Santa Fe, NM
Gabriele Evertz
Select Installations: Notebook No. 1, 1990-2022
Processional, 1998, 7 x 16 feet, Acrylic on canvas
Pictured in Gabriele Evertz: Paintings, 1998, Yearsley Spring Gallery, Philadelphia, PA
(center) Motion Parallax I, 1998, 72 x 72 inches, Acrylic on canvas
Pictured in Gabriele Evertz: Paintings , 1998, Yearsley Spring Gallery, Philadelphia, PA
Greenport, 1996, 6 x 9 feet, Acrylic on canvas
Pictured in the artist’s Greenport, NY studio, 1996
Approaching, 1993, 18 x 72 inches (shaped), Acrylic on wood
Exhibited in Optic Drive, 2012, David Richard Gallery, Santa Fe, NM
Painting Type 1 (Untitled), 1993, 7 x 16 feet, Acrylic on canvas
Exhibited in Presentational Painting, 1993, Hunter College/Times Square Gallery, New York, NY
Barragán, 1990, 72 x 72 inches, Acrylic on canvas
As a color painter, I value abstraction because it offers possibilities for exploration and discoveries and opens up new contributions to the visual experience of painting today.
The sudden shift of a color, the unexpected flaring of light along edges, or the brilliant shimmer of transparencies are all new experiences in painting. They reflect moments of recognition or clarity that we sometimes experience in our daily existence. The perceived physical limitations of the canvas, namely its flatness and opaqueness, are transformed into a new pictorial color expression; the viewer plays an essential role in this process.
Thus, for the painter/viewer, the painting experience presents the transition from self to others.
–Gabriele Evertz
Brooklyn, 2023